Sayın’s use of lines and drawing hold a prominent place in his artistic practice. Such an approach towards the blank surface is what generates his aesthetics. He does not regard drawing in the conservative sense, as a means to produce a draft for final works, but he creates them as artworks in and of themselves, regarding the potentiality of drawing as an abundant manner of expression.

Before we inquire further into his relationship with the line as a medium, it is best to emphasize the line’s power to multiply life, and the artist as an interfering agent in this power.