EXHIBITIONS / PAST / DIALOGUE: SIGNS AND WRITINGS

INSTALLATION

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"DIALOGUE: Signs and Writings"

Günther Uecker will come himself to set up the exhibition and will also attend the opening.

For the exhibition prepared in collaboration with Istanbul Goethe Institute, the first Turkish and German book about the artist has been published. The book includes texts written by Peter Sloterdijk (philosopher) and Levent Çalıkoğlu.

Günther Uecker came to set up the exhibition himself and attended the opening.

Celebrating his 75th birthday on March 11 with a major retrospective exhibition at the Berlin Gropius Museum, Günther Uecker is among the most important artists of contemporary Europe. The artistic activity he prepared in response to the chaos, terrorism, occupation, and war conditions that engulfed the world after the September 11 attacks, which draw attention to the deep contradiction and opposition between the essence of "peace and forgiveness" found in monotheistic religions and their ideological use as sources of terrorism and violence today, is presented in Istanbul in collaboration with the Goethe Institute and the Millî Reasürans Art Gallery. In his installation titled "DIALOGUE- Signs and Writings", Uecker highlights the reality of violence and the alienation between religions, with inscriptions of verses about peace from the Old Testament (Torah and Bible) and the Quran written on fabrics and hung on two opposite walls. Between them, in the area I call "painful points," black fabrics, resembling bandages wrapping a wound, will be tied to logs randomly struck with an axe and nailed, secured at the bottom with sandbags to prevent them from moving. While there are painful points in the middle, the essential commandments of peace, forgiveness, and tranquility belonging to the faith worlds of Islam, Judaism, and Christianity are in a mutual dialogue.

Uecker describes his installation as follows: "Verses about peace from the Old Testament (Torah and Bible) and the Quran will be written on fabrics and hung on two opposite walls. Between them, in the area I call 'painful points,' black fabrics, resembling bandages wrapping a wound, will be tied to logs randomly struck with an axe and nailed, secured at the bottom with sandbags to prevent them from moving. While there are painful points in the middle, the essential commandments of peace, forgiveness, and tranquility belonging to the faith worlds of Islam, Judaism, and Christianity are in a mutual dialogue."

Uecker's activity is presented with a book containing an evaluation essay by Peter Sloterdijk, director of the Vienna Academy of Fine Arts Cultural Institute and dean of the Karlsruhe Academy. Particularly known for his studies and publications on culture and philosophy of religion, Peter Sloterdijk, in his essay, examines the relationship between modernity and chaos, starting from Nietzsche's quote "There must be chaos within you to give birth to a dancing star" and writes the following: "I tell you: there is something different within you. You are still someone other than yourself and hope for your own future. A little bad, a little disorderly, a little uncalculated, a matter of coincidences, and then coincidences will follow. But I see their future, the time when no one carries evil, disorder, and uncalculation within themselves anymore. The era will begin when the starting point of coincidences no longer separates from the coincidences that follow it. The period of hollowed-out humans will begin. They will do more than ever, but the process of creation will end. Along with it, everything that distinguishes between internal and external will fade away. The process of elevation will cease. It will continue elsewhere, in your exteriors, in warehouses, in networks, in computers. Modernity is the self-directedness of prophecies against themselves."

Günther Uecker was born in Wendorf (Mecklenburg) in 1930. He studied at the Wismar School of Applied Arts from 1949 to 1953. He participated in political marches. He later studied at the Berlin-Weissensee Art Academy. He moved to West Berlin in 1953 and encountered Kandinsky's abstract world at an exhibition; he was astonished and impressed. He studied at the Düsseldorf Art Academy Otto Pankok Studio from 1955 to 1958. After figurative and abstract prints, he began creating handmade structures ("finger paintings" and "dirty paintings"). He made his first nail object in 1955/56. He met Yves Klein, Heinz Mack, and Otto Piene in 1957. He participated in the evening exhibition "Red Light" in 1958. He continued his work on light until 1963; in the meantime, he realized "self-rotating light plates", "light field", "light room", and "light film". One of his works was exhibited at the Paris Avant-Garde Art Festival. He joined the ZERO Group in 1961. He began intensive work on nail pieces from 1961 to 1965. He published the book "White Structures" in 1963. He won the first prize at the 4th San Marino Biennial with ZERO and "gruppo n". He received an award at the Paris "Young Biennial" in 1964. He established a studio in New York in 1966. He participated in the last ZERO exhibition. He realized a multimedia action in Düsseldorf in 1967. After that, he became interested in action and installation and realized numerous works. In 1968, he published the first issue of the "Uecker Newspaper", which would be published ten times until 1982. This newspaper provided information about Uecker's activities. He started working on video films in 1970. He participated in the Sao Paulo Biennial in 1971, received the critics' award, and studied indigenous cultures. He traveled to Latin America. He made a five-month trip to Africa in 1973. He participated in the restaging of Beethoven's opera "Fidelio". After that, he took part in numerous theater and opera productions. He continued his travels with a trip to Asia in 1974. He started teaching at the Düsseldorf Art Academy in 1976. WDR made a TV film titled "Uecker's Works 1957-1977". He prepared a relief for the wall of the United Nations building in Geneva. He made a sculpture for the Düsseldorf concert hall in 1978. In 1980, he stayed with his students in a psychiatric clinic in Switzerland and prepared a watercolor series. He continued his watercolor studies during his travels to different countries in the world. In the meantime, he painted "Desert Friends" during the Sahara trip (1981), knife sculptures during his study of Navajo Indian culture in the USA (1984), watercolor paintings from the train window during the Trans-Siberian trip (1984), and tree sculptures in Japan. Affected by the Chernobyl disaster in 1986, he made "Ash Paintings" and "People of Ash". He stayed in the Soviet Union for a long time in 1987. In 1988, he held a retrospective exhibition at the Moscow Central Artists House featuring 820 works. He acted in the film "Like a Peasant in the Field" directed by Michael Kluth in 1989. After 1990, he focused intensively on installations.

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